The Merchant Of Venice Act -1, Scene – 2 Workbook Answers

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The Merchant of Venice Act 1, Scene 2

SCENE II. Belmont. A room in PORTIA’S house

PORTIA

By my troth, Nerissa, my little body is aweary of this great world.

NERISSA

You would be, sweet madam, if your miseries were in the same abundance as your good fortunes are: and yet, for aught I see, they are as sick that surfeit with too much as they that starve with nothing. It is no mean happiness, therefore, to be seated in the mean: superfluity comes sooner by white hairs, but competency lives longer.

PORTIA

Good sentences and well pronounced.

NERISSA

They would be better, if well followed.

PORTIA

If to do were as easy as to know what were good to do, chapels had been churches and poor men’s cottages princes palaces. It is a good divine that follows his own instructions: I can easier teach twenty what were good to be done than be one of the twenty to follow own mine teaching. The brain may
devise laws for the blood, but hot temper leaps o’er a cold decree: such a hare is madness the youth, to skip o’er the meshes of good counsel the cripple. But this reasoning is not in the fashion to choose a husband. O me, the word ‘choose!’ I may neither choose whom I would nor refuse whom I dislike; so is the will of a living daughter curbed by the will of a dead father. Is it not hard, Nerissa, that I cannot choose one nor refuse any?

NERISSA

Your father was ever virtuous, and holy men at their death have good inspirations: therefore the lottery, that he hath devised in these three chests of gold, silver, and lead, whereof who chooses his meaning chooses you, will, no doubt, never be chosen by any rightly but one who shall rightly love. But what warmth is there in your affection towards any of these princely suitors that are already come?

PORTIA

I pray thee, over-name them; and as thou namest them, I will describe them; and, according to my description, the level at my affection.

NERISSA

First, there is the Neapolitan prince.

PORTIA

Ay, that’s a colt indeed, for he doth nothing but talk of his horse; and he makes it a great appropriation to his own good parts, that he can shoe him himself. I am much afeard my lady his mother played false with a smith.

NERISSA

Then there is the County Palatine.

PORTIA

He doth nothing but frown, as who should say ‘If you will not have me, choose:’ he hears merry tales and smiles not: I fear he will prove the weeping philosopher when he grows old, being so full of unmannerly sadness in his youth. I had rather be married to a death’s-head with a bone in his mouth than to either of these. God defend me from these two!

NERISSA

How say you by the French lord, Monsieur Le Bon?

PORTIA

God made him, and therefore let him pass for a man. In truth, I know it is a sin to be a mocker: but, he! why, he hath a horse better than the Neapolitan’s, a better bad habit of frowning than the Count Palatine; he is every man in no man; if a throstle sing, he falls straight a capering: he will fence with his own shadow: if I should marry him, I should marry twenty husbands. If he would despise me I would forgive him, for if he loves me to madness, I shall never requite him.

NERISSA

What say you, then, to Falconbridge, the young baron of England?

PORTIA

You know I say nothing to him, for he understands not me, nor I him: he hath neither Latin, French, nor Italian, and you will come into the court and swear that I have a poor pennyworth in the English. He is a proper man’s picture, but, alas, who can converse with a dumb show? How oddly he is suited! I think he bought his doublet in Italy, his round hose in France, his bonnet in Germany, and his behavior everywhere.

NERISSA

What think you of the Scottish lord, his neighbor?

PORTIA

That he hath a neighborly charity in him, for he borrowed a box of the ear of the Englishman and swore he would pay him again when he was able: I think the Frenchman became his surety and sealed under for another.

NERISSA

How like you the young German, the Duke of Saxony’s nephew?

PORTIA

Very vilely in the morning, when he is sober, and most vilely in the afternoon, when he is drunk: when he is best, he is a little worse than a man, and when he is worst, he is little better than a beast: and the worst fall that ever fell, I hope I shall make the shift to go without him.

NERISSA

If he should offer to choose, and choose the right casket, you should refuse to perform your father’s will, if you should refuse to accept him.

PORTIA

Therefore, for fear of the worst, I pray thee, set a deep glass of Rhenish wine on the contrary casket, for if the devil is within and that temptation without, I know he will choose it. I will do anything, Nerissa, ere I’ll be married to a sponge.

NERISSA

You need not fear, lady, the having any of these lords: they have acquainted me with their determinations; which is, indeed, to return to their home and to trouble you with no more suit, unless you may be won by some other sort than your father’s imposition depending on the caskets.

PORTIA

If I live to be as old as Sibylla, I will die as chaste as Diana, unless I am obtained by the manner of my father’s will. I am glad this parcel of wooers are so reasonable, for there is not one among them but I dote on his very absence, and I pray God to grant them a fair departure.

NERISSA

Do you not remember, lady, in your father’s time, a Venetian, a scholar, and a soldier, that came hither in the company of the Marquis of Montferrat?

PORTIA

Yes, yes, it was Bassanio; as I think, he was so called.

NERISSA

True, madam: he, of all the men that ever my foolish eyes looked upon, was the best deserving a fair lady.

PORTIA

I remember him well, and I remember him worthy of thy praise.
Enter a Serving-man. How now! what news?

Servant

The four strangers seek for you, madam, to take their leave: and there is a forerunner come from a fifth, the Prince of Morocco, who brings word the prince his master will be here tonight.

PORTIA

If I could bid the fifth welcome with so good a heart as I can bid the other four farewell, I should be glad of his approach: if he has the condition of a saint and the complexion of a devil, I had rather he should shrive me than wive me. Come, Nerissa. Sirrah, go before. Whiles, we shut the gates upon one wooer, another knocks at the door.

Exeunt.

---

Read the Merchant Of Venice Act -1, Scene – 2 extracts given below and answer the questions that follow

Extract 1

Nerissa

Your father was ever virtuous: and holy men at their death
have good inspiration; therefore, the lottery, that he hath
decided in these three chests of gold, silver, and lead,-
whereof who chooses his meaning chooses you,- will, no
doubt, never be chosen by any rightly but one who shall
rightly love. But what warmth is there in your affection
towards any of these princely suitors that are already come?

Question:-

What has Portia just said in response to which Nerissa speaks these words?

Answer:-

Portia has just said that the word “choose” is strange! She can’t choose whom she likes or refuse whom she disliked. She is a living daughter still controlled by the wishes of her dead father. Portia further says that Isn’t it a pain that she can’t choose or refuse anyone.

Question:-

Describe the lottery referred to in the extract.

Answer:-

According to the lottery, each suitor has to choose from amongst the three caskets of gold, silver, and lead. The one who makes the right choice which contains Portia’s portrait would marry her.

Question:-

Give the reactions of Portia as well as Nerrisa to the lottery.

Answer:-

Portia seems anxious and depressed at her lack of control over her dead father’s will. she can neither choose the one she likes nor refuses the one she dislikes as her husband. Nerissa has an optimistic outlook. She calls Portia’s father pious and asserts that good men do have inspirations at the time of death. She consoles Portia by saying that she will be chosen correctly by a person whom she truly loves.

Question:-

Give the meaning of “Never be chosen by any rightly, but one who you shall rightly love”.

Answer:-

Nerissa says that No one will ever choose the right box who doesn’t deserve your love. The one who chooses the correct caskets will truly love Portia.

Question:-

Portia is melancholic at the beginning of the scene as it was the case with Antonio in the previous scene. What is the difference between Antonio’s melancholy and that of Portia?

Answer:-

Portia is melancholic at the beginning of the scene as it was the case with Antonio. The difference between their melancholy is that Antonio is sad without any specific reason, he only has a vague feeling of an impending danger whereas Portia’s sadness is due to her anxiety over the condition imposed on her by her dead father. she can neither choose the one she likes nor refuses the one she dislikes as her husband.

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Extract No. 2

Nerissa

Then is there the country Palatine?

Portia

He doth nothing but a frown; as who should say,” An you will
not have me, choose”: he hears merry takes, and smiles not:
I fear he will prove the weeping philosophy when he grows
old, being so full of unmannerly sadness in his youth. I had
rather be married to a death’s head with a bone in his mouth
than to either of these: God defends me from these two!

Question:-

Where are Portia and Nerissa? What are they generally discussing? In what mood is Portia in the scene?

Answer:-

Portia and Nerissa are in a room in Belmont, in Portia’s house. They are discussing the lottery of caskets and the suitors who have already come to try their luck. In this scene, Portia is in a mood of melancholy and anxiety.

Question:-

Who is the Country Palatine? Why has he come to Belmont?

Answer:-

Country Palatine refers to the court from the Palatine, the region on the west bank of the Rhine. The court is a local ruler or a nobleman. He was a powerful lord who came as a suitor to Belmont to try his luck to woo Portia by choosing the correct caskets.

Question:-

Who is the first prince described by Portia? What does she say about him?

Answer:-

The first prince described by Portia is a Neapolitan prince from Italy. She describes him as a typical Italian who is inexperienced like a young horse. He talks only about his horse. He thinks it’s a great credit to his character that he can shoe a horse all by himself.

Question:-

Who is the weeping philosopher? In which context is he referred to in the extract? Give the meaning of: “a death’s -head with a bone in his mouth.”

Answer:-

The weeping philosopher refers to Heraclitus of Ephesus who was a pre-socratic Greek philosopher. He was so depressed by human follies that he secluded himself on the Mountain. Portia refers to him to describe County Palatine. She feels that when County Palatine grows old, he will become a sad philosopher like Heraclitus.

Death’s head with a bone in his mouth means a skull with a bone in its mouth. The emblem of a skull with two bones crossed underneath was usually known as ‘death’s head. Portia says that she would rather be married to death’s head with bone in his mouth rather than to either of the princes.

Question:-

Give a character sketch of the Country Palatine. What impression does Portia have about him?

Answer:-

Country palatine was a powerful lord who came as a suitor to Belmont to try his luck to woo Portia by choosing the correct caskets. He does nothing but frown. He doesn’t even smile when he hears funny stories. He is full of unmannerly sadness in his youth age. He was a sullen, gloomy, Morose, and self-conceited person.

Portia says he is sad and solemn. He has an abrupt manner of speech and may become a sad philosopher like Heraclitus when he grows old. She further says that she would rather be married to a skull with a bone in its mouth than to either of those men.

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Extract No. 3

Nerissa

How say you the French lord, Monsieur Le Bon?

Portia

God made him, and therefore let him pass for a man. In truth, I know it is a sin to be a mocker; but, he! – why, he hath a horse better than the Neapolitan’s, a better bad habit of frowning than the Count Palatine; he is every man in no man; if a throstle sing, he falls straight a-capering; he will fence with his own shadow: if I should marry him,
I should marry twenty husbands. If he would despise me,
I would forgive him; for if he loves me to madness, I shall never requite him.

Question:-

What has Portia said earlier about the Neapolitan prince and his horse? Which characteristic is common between Monsieur Le Bon and Count palatine?

Answer:-

Earlier Portia described the Neapolitan Prince as an inexperienced young man like a young horse. He talks only about his horse. He thinks it’s a great credit to his character that he can shoe a horse all by himself.

Count-Palatine and Monsieur Le Bon share the common characteristic of frowning and both talk about their horse.

Question:-

Give the meaning of: “he is very in no man:”

Answer:-

A man who has the peculiarities and characteristics of every man but no personality of his own.

Question:-

How does the French lord react to the singing of a thrush?

Answer:-

French lord is so fickle-minded that when he hears the thrush’s singing, he immediately starts jumping up and down to that music.

Question:-

What would happen:

Answer:-

if Portia were to marry the Court?

If Portia were to marry the Court, it would be as if she were married to twenty husbands because he’s like twenty men all rolled into one.

if he were to despise Portia?

If he were to despise Portia, Portia would not be in loss or anger, she would forgive him.

if he were to love Portia passionately?

If he were to love Portia Passionately, Portia could never return his love because she could never possibly love twenty husbands.

Question:-

Give any three negative qualities of the French lord. What does Portia say about him?

Answer:-

He is a man who has the peculiarities and characteristics of every man but no personality of his own.

He is a man who frowned a lot and talks even more than Count Palatine about his horse.

He is a fickle-minded person, who starts jumping on thrush’s singing and will fence his own shadow.

---

Extract No. 4

Nerissa

What say you, then, to Falconbridge, the young baron of England?

Portia

You know I say nothing to him, for he understands not
me, nor I him; he hath neither Latin, French, nor Italian;
and you will come into the court and swear that I have
a poor pennyworth in the English. He is a proper man’s
picture: but, alas, who can converse with a dumb show?
How oddly he is suited! I think he bought his doublet in
Italy, his round hose in France, his bonnet in Germany,
and his behavior everywhere.

Nerissa

What think you of the Scottish lord, his neighbor?

Question:-

How is the young baron’s external appearance described in the passage? What light does it throw on the national pattern of clothes of English men?

Answer:-

The young baron’s external appearance is described as odd and weird. He lacks individuality in dressing up. it seems that he bought his jacket in Italy, his round hose in France, his hat in Germany, and his behavior everywhere.

It seems Englishmen of Shakespeare’s days had a fondness for the manners and clothes of foreigners.

Question:-

What shows that the English lord has poor knowledge of the European languages? Why does Portia find it difficult to interact with him?

Answer:-

Portia’s sentiment that the Englishman did not know Latin, French or Italian shows that he had very poor knowledge of European Languages. Portia found it difficult to converse with him as he did not know Latin, French or Italian and Portia’s knowledge of English was very poor.

Question:-

Give the meaning of:

Answer:-

He is a proper man’s picture:

“He is a proper man’s picture”, means a man of fine appearance.
Here Portia referred this line to Young baron’s dress sense.

How oddly he is suited!

“How oddly he is suited”, means he dressed in a strange way.

Question:-

What is referred to as a dumb show? Why is the baron said to be a ‘dumb show’?

Answer:-

Dumb-show refers to mime or acting without a word, that is by gesture. Here young baron is referred to as a dumb show because he doesn’t speak Latin, French, or Italian, and Portia knows little English so, Englishman had to converse by means of signs as in a dumb show.

Question:-

Give a brief description of the Scottish Lord. What type of contemporary relationship between England, Scotland, and France is reflected in the report of the Scottish Lord?

Answer:-

The Scottish Lord is not impressive. Portia speaks about his cowardice in a sarcastic way by calling him kind-hearted as he did not return the Englishman’s blow immediately.

The description of the Scottish Lord is a reference to the frequent alliances between the Scots and the French and England, once at war Englishman slap Scottish Lord on the ear without hitting him back. Rather than defend himself, he just threatened to pay the Englishman back later. Then the Frenchman promised to help the Scot pay the Englishman back, and added a slap of his own.

Also Read: ICSE Treasure Trove Workbook Solution

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Extract No. 5

Portia

Very vilely in the morning, when he is sober, and most vilely in the afternoon, when he is drunk: when he is best, he is a little worse than a man, and when he is worst, he is little better than a beast. The worst fall that ever fell, I hope I shall make the shift to go without him.

Nerissa

If he should offer to choose, and choose the right casket,
You should refuse to perform your father’s will if you should refuse to accept him.

Port

Therefore, for fear of the worst, I pray thee, set a deep
glass of Rhenish wine on the contrary casket; for if the
devil be within and that temptation without, I know he will
choose it. I will do anything, Nerissa, ere I will be married
to a sponge.

Question:-

How does the young German behave when he is sober and when he is drunk? If the worse happens to Portia which would compel her to marry him, what would she do then?

Answer:-

Young German is very disgusting in the morning when he is sober and most disgusting in the afternoon when he is drunk. If the worst happens to Portia which would compel her to marry him, then she is sure that she could find a way to go on without him.

Question:-

Give the meaning of…

Answer:-

When he is worst, he is a little better than a beast.

When he is drunk, he is almost beast, crude and uncivilized like an animal.

set a deep glass of Rhenish wine on the contrary casket.

It means Placing a large glass of Rhenish wine on the wrong casket. Portia says that a glass full of Rhenish wine should be kept in the wrong casket so that it gives him temptation and he chooses the wrong casket.

Question:-

What plan does Portia make to prevent the young German from choosing the right casket?

Answer:-

Portia instructed Nerissa to place a large glass of Rhenish wine on the wrong casket to tempt him and deviate his attention from choosing the right casket. Portia was sure that the German suitor will not be able to resist the temptation if the picture of the devil himself was within and he will choose the wrong casket.

Question:-

Why is the young German referred to as a sponge’?

Answer:-

The sponge is one that soaks up or absorbs liquid. Young German, all through the day is under the influence of liquor. Since he is a drunkard, who absorbs or soaks himself up in the liquor, he is referred to as a sponge’. Portia calls him a sponge.

Question:-

After Portia’s speech, what does Nerissa say to console her about the suitors? What conclusion can you draw about Nerissa’s speech in the context?

Answer:-

Nerissa consoles Portia by giving the most relieving news that she need not worry about suitors. They’ve all told her what they want. They are going back home and give up on Portia. They wanted to win her in some other way and not as her father commanded.

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Extract No. 6

Portia

If I live to be as old as Sibylla, I will die as chaste as
Diana, unless I am obtained by the manner of my father’s
will. I am glad this parcel of wooers is so reasonable;
for there is not one among them but I dote on his very
absence, and I pray God to grant them a fair departure.

Nerissa

Do you not remember, lady, in your father’s time, a Venetian,
a scholar and a solider, that came hither in the company of the Marquis of Montferrat?

Portia

Yes, yes, it was Bassanio: as I think, so was he called.

Question:-

What was Portia’s father’s will as far as Portia’s marriage was concerned?

Answer:-

The “lottery of caskets” was devised according to the will of Portia’s father. According to the will of her father, each suitor has to choose from amongst the three caskets of gold, silver, and lead. The one who makes the right choice would marry Portia.

Question:-

Who is Sibylla and Who is Diana? Who are they referred to in the context?

Answer:-

Sibylla is a Greek word that means “prophetess”. According to the stories recounted in Ovid’s Metamorphoses, Sibyl of Cumae was granted a wish by goddess Apollo that she would live for as many years as the grains of sand she held in her hand. She was the ageless old woman.

Diana means the “Bright Goddess”. Diana was the goddess of the moon and of hunting. She is also known as the Virgin Goddess.

A reference is made to Sibylla and Diana to show that Portia would like to remain unmarried, if nobody is able to choose the right casket, in order to keep the will of her father. It shows her willingness and loyalty to the will of her father.

Question:-

What does Nerissa say to introduce Bassanio? What was their feeling of Portia for Bassanio in this scene?

Answer:-

In order to introduce Bassanio, Nerissa asks Portia, “Do you remember, the lady in your father’s time, a Venetian, a scholar and a soldier that come hither in the company of the Marquis of Montferrat?”

In this scene, Portia’s feelings for Bassanio are quite positive. She recalls his name and tells Nerissa that he fully deserves her praise. Her simple reply shows that she is already in love with Bassanio.

Question:-

In what sense can we say that the opening of the first two scenes of Act 1 gives the plot of the play?

Answer:-

The first scene starts in the street of Venice and in the second scene Portia’s house at Belmont is introduced, these are the two important places where the whole story is taking place.

The opening of the first two scenes of Act I gives the plot of the play. The two main plots of the play are the bond story and the casket story. The bond story is initiated in Scene 1 while the casket story is initiated in Scene 2 of Act I. These two scenes set the plot of the play perfectly.

Question:-

Name the six suitors given in this scene, Give two characteristics of any two suitors described by Portia.

Answer:-

The Neapolitan Prince (from Naples, Italy)

• He is inexperienced like a young horse.
• He talks only about is his horse.
• He thinks it’s a great credit to his character that he can shoe a horse all by himself.

Count palatine

• He does nothing but frown.
• He is full of unmannerly sadness in his youth age.
• He doesn’t even smile when he hears funny stories.

Monsieur Le Bon

• He shares the common characteristic of frowning and talking about his horse like Count Palatine.
• He is a man who has the peculiarities and characteristics of every man but no personality of his own.

Baron Falconbridge, the young baron of England

• Strangely and unmannerly dressed.
• He speaks such languages that are not known to Portia.

Scottish Lord

• He is not pleasant and is a coward.
• He let the Englishman slap him on the ear without hitting him back.

The young German, The Duke of Saxony’s nephew.

• He is a drunkard.
• When he is drunk, he is almost beast, crude and uncivilized like an animal

Also Read: ICSE Sahitya Sagar Workbook Solution 2022

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